Introduction.
Bernstein is going to conduct his own piece for the first and only time during which all kinds of emotions appear. All orchestra members are hand-picked for the occation and so are the soloists and choir members.
It is in the last days of the grammophone era. Subtitle: Danish.
To be continued . . . .
Carl Vendler
Initially I found, that eight videos were adequate to represent the recording of the WSS-musical, but this is the first of six videos, that have been requested to complete the whole session. Total playing time will now be: 1 hr.10 min. All these extra videos have a suffix of one or two letters to their number.
Carl Vendler
Initially I found, that eight videos was adequate to represent the recording of the WSS-musical, but this is the second of six videos, that have been requested to complete the whole session. Total playing time will now be: 1 hr 10 min. All these extra videos have a suffix of one or two letters to their number.
Carl Vendler
"America"
Initially I found, that eight videos were adequate to represent the recording of the WSS-musical, but this is the fifth of six videos, that have been requested to complete the whole session. Total playing time will now be: 1 hr 10 min. All these extra videos have a suffix of one or two letters to their number.
Carl Vendler
Clash of temperaments.
When tensions grow too high, the producer (I presume it is) interferes to calm things down. Notice the angry look from the maestro: Here is the one person HE, the MAESTRO, not just can brush aside! A female member of the orchestra later comforts the master.
To be continued . . . .
Carl Vendler
"A boy like that"
Initially I found, that eight videos were adequate to represent the recording of the WSS-musical, but this is the last of six videos, that have been requested to complete the whole session. Total playing time will now be: 1 hr 10 min. All these extra videos have a suffix of one or two letters to their number.
Carl Vendler
The story of Beethoven and his music written by Israela Margalit, the eminent pianistin and author, and presented by Sir Peter Ustinov.
Mischa Maisky and Valerij Anastasiev play Adagio cantabile and Allegro vivace from Sonata in A major for Cello and Piano.
Carl Vendler
The storming, and subsequent take over of the Bastille, ushered the beginning of the French Revolution. No longer were the angry peasants defying local lords, but they were now striking at the symbolic heart of the monarchy. The Bastille, a hated emblem of control and domination, became the war cry for hundreds of thousands of scorned and maltreated revolutionaries.
Carl Vendler